The Komering tribe is one of the tribes in South Sumatra Province located in the Southern Section. The southern part of South Sumatra is known as OKU Raya. OKU is an abbreviation of two tribal names, namely the Ogan and Komering tribes upstream. The names of the two tribes located upstream became the forerunner of the names of the regencies in the OKU Raya area, namely OKU regency, and South OKU, and East OKU, of the three regencies that are dominated by the Komering tribe is East OKU regency.<\/p>\n\n\n\n
The Komering people have customs and traditions that are still used today, one of which is the wedding ceremony. According to the customary law of the Komering Tribe, if you are married, you are obliged to have Adok. Adok<\/em> is one of the traditions of the Komering people used as a nickname to show the caste of a person in the family, besides that adok<\/em> It also shows the social status of a person for the Komering people. Granting and authorizing adok<\/em> conducted by the traditional leader, launcher, <\/em>and speakers<\/em> in the procession niktiko adok<\/em> in the wedding ceremony of the Komering Tribe. One of the areas in East OKU Regency where the majority of people use wedding ceremonies is Terukis Rahayu Village because the indigenous tribe of the village is the Komering Tribe.<\/p>\n\n\n\n In the wedding ceremony there are several processions, namely ratong manjau<\/em>, onion shucking<\/em>, pageantry, silat tigol,<\/em> bridal fence dance, handover, procession niktiko adok<\/em>, and dance sada sabai. Adok <\/em>given and authorized by custom in a procession niktiko adok<\/em>. The traditional leader led the procession from the opening, closing and handing over of certificates adok<\/em> to the bride and groom. Planter<\/em> plays an instrument canang <\/em>which is <\/em>marker used adok <\/em>has been authorized, and the speaker's role is to perform the vowels niktiko adok <\/em>which is used for the provision of adok<\/em> and the delivery of advice. The core of the procession niktiko adok<\/em> is one of the highlights of the wedding ceremony. Therefore, the most important thing in the wedding procession is the vocal. niktiko adok, <\/em>because the vowel conveys the name adok<\/em> as well as advice on parents, family and religion for the groom.<\/p>\n\n\n\n Vowels at a glance Niktiko Adok<\/em><\/strong><\/p>\n\n\n\n Niktiko adok <\/em>is oral literature in the form of rhymes that are delivered by speakers together charter<\/em> who plays the instrument canang<\/em> for granting and authorizing adok<\/em> the bride and groom in the procession niktiko adok<\/em>.On vowels niktiko adok<\/em> There are two parts, namely pisaan<\/em> and warahan<\/em>. Pisaan<\/em> used to convey the name adok<\/em> the bride and groom and warahan<\/em> It is used to convey advice about parents, family and religion. Pisaan<\/em> and warahan<\/em> is a rhyme delivered by the speaker This procession is presented in a performance using the instrument canang<\/em>. Presentation niktiko adok<\/em> rhymes pisaan <\/em>and warahan<\/em> It is chanted using typical tones and cadences by the speaker,<\/p>\n\n\n\n For the Komering Tribe community in Terukis Rahayu Village, East Oku, South Sumatra, Niktiko Adok<\/em> not only serves as a cultural formality agenda, but also contains local cultural values that represent the identity of the Komering people.<\/p>\n\n\n\n Emotional Expression<\/strong><\/p>\n\n\n\n Vocal niktiko adok<\/em> divided into two parts, namely pisaan<\/em> and warahan<\/em>. Vowels on p<\/em>isaan<\/em> chanted by the speaker using a high tone with a loud voice. Lantang means that the voice sounds loud and clear so that the bride and groom, their families and the community can hear the contents of the chant well. pisaan<\/em> which is conveyed by the speaker. Warahan<\/em> is the second part of the vowel niktiko adok<\/em> chanted by speakers to convey advice about parents, family and religion. The vowels in warahan<\/em> which is chanted by the speaker using a low tone with a low volume of voice with a full appreciation. The appreciation carried out by the speaker to express feelings of sadness, joy, happiness from inner experiences that are adjusted to the content in the song. warahan.<\/em><\/p>\n\n\n\n Symbol Depiction<\/strong><\/p>\n\n\n\n Signs are classified into several types including icons and indexes. Icons are signs that show the identity of a society, while indexes are important terms that are expressed in traditional performances. In addition, there are also symbols which are classifications in several types of signs, symbols are signs that have been agreed upon together so that they will become an idea in an idea.<\/p>\n\n\n\n Vocal niktiko adok<\/em> is a tradition that has become the identity of the Komering tribe community used in wedding ceremonies for the provision of Adok. <\/em>Identity is one of the signs that the vocal niktiko adok<\/em> as an icon of tradition for the Komering people. niktiko adok<\/em> has two parts pisaan<\/em> and warahan <\/em>that became one performance niktiko adok<\/em>. Pisaan<\/em> and warahan<\/em> also as an index on vowels niktiko adok,<\/em>Index is an important term in traditional performance. Vocal niktiko adok <\/em>is the most important thing in the show niktiko adok<\/em> because of the name adok<\/em> and advice found in pisaan<\/em> and Waraha,<\/em>. Therefore the vowels niktiko adok <\/em>functions as a symbol because the name adok<\/em> can be used if you have run the procession niktiko adok<\/em>, procession niktiko adok<\/em> cannot be implemented without vocals niktiko adok<\/em> because the vocals are the most important thing in the performance niktiko adok<\/em>.<\/p>\n\n\n\n Conformity to Social Norms<\/strong><\/p>\n\n\n\n Customary rules for the Komering people are required to have Adok,<\/em> because adok <\/em>is a family nickname used to denote caste. Grant adok<\/em> carried out in the procession niktiko adok<\/em> at the wedding ceremony of the Komering Tribe. Gift adok<\/em> carried out by charter<\/em> as an instrumentalist canang<\/em> and speakers as vowels niktiko adok<\/em>. adok<\/em> can be used if it is already in niktiko adok<\/em> by the speaker and charter<\/em>. If the bride and groom at the Komering Tribe marriage ceremony do not validate adok<\/em> by custom, then they are not considered part of the Komering Tribe. Customary rules for obtaining adok<\/em> the bride and groom must be given pisaan<\/em> and warahan<\/em>. Therefore ocia niktiko adok<\/em> has an important role as the conformity of ocial norms for the Komering people.<\/p>\n\n\n\n <\/p>\n\n\n\n LITERATURE<\/strong><\/p>\n\n\n\n Central Bureau of Statistics of East Ogan Komering Ulu Regency. https:\/\/okutimurkab.bps.go.id\/publication.htm.<\/a> accessed March 2, 2022.<\/p>\n\n\n\n Central Bureau of Statistics of South Sumatra Province. https:\/\/sumsel.bps.go.id\/publication.html<\/a>. accessed March 2, 2022.<\/p>\n\n\n\n Firmansyah, Dedy. 2015. \u201cThe Existence of Kulintang Music in the Wedding Custom of Komering Tribe in East Oku\u201d. Thesis for the degree of Strata 2 of the Art Creation and Assessment Study Program Interest in Nusantara Music Studies Postgraduate Program, Institut Seni Indonesia Surakarta.<\/p>\n\n\n\n Kaelan. 2012. Interdisciplinary Qualitative Research Methods in Social, Cultural, Philosophy, Art, Religion and Humanities Fields<\/em>. Yogyakarta: Paradigma.<\/em><\/p>\n\n\n\n Kartini, Neti, Suryani. 2019. \u201cStructure Analysis P<\/em>isaan<\/em> Giving A<\/em>dock<\/em> in Komering Traditional Wedding in Kurungan Nyawa Village\u201d, Seulas Pinang: Journal of Indonesian Language and Literature Education,<\/em> Vol. 1, No. 1: 37-44.<\/p>\n\n\n\n Location and Area of East Ogan Komering Ulu Regency (okutimurkab.co.id). access March 8, 2022.<\/p>\n\n\n\n Melisi, Aldo. 2021. \u201cThe Meaning of Giving A<\/em>dock<\/em> (Gelar) Daya Tribe of Saung Naga Village, OKU Selatan Regency\u201d. Thesis to take the degree of Strata 1 Communication Studies Program, Faculty of Social and Political Sciences, UIN Raden Fatah Palembang.<\/p>\n\n\n\n Merriam, Alan P. 1964. The Anthropology of Music. <\/em>Evanston: Northwestern University Press.<\/p>\n\n\n\n Nettl, Bruno. 2012. Theory and Methods in Ethnomusicology. <\/em>Terj. Nathalian H.P.D Putra. Jayapura: Jayapura Center of Music.<\/p>\n\n\n\n Pasehulisan. 2021. \u201cStudy of the Oral Tradition of the Giving Ceremony A<\/em>dock<\/em> Komering Community in East OKU\u201d. Thesis to take the degree of Strata 2 of Indonesian Language Education Study Program, Postgraduate Program, PGRI University Palembang.<\/p>\n\n\n\n Definition of Diameter. https:\/\/kbbi.web.id\/diameter.<\/a> access June 16, 2022.<\/p>\n\n\n\n Definition of Instrument. https:\/\/kbbi.web.id\/instrumen.<\/a> access June 16, 2022.<\/p>\n\n\n\n Definition of Consonants. https:\/\/kbbi.web.id\/konsonan.<\/a> access June 12, 2022.<\/p>\n\n\n\n Definition of Nikah. https:\/\/kbbi.web.id\/nikah. accessed May 27, 2022.<\/p>\n\n\n\n Definition of Pantun.https:\/\/kbbi.web.id\/pantun<\/a>. accessed April 18, 2022.<\/p>\n\n\n\n Definition of Procession. https:\/\/kbbi.web.id\/prosesi<\/a>. accessed May 27, 2022.<\/p>\n\n\n\n Definition of Rhyme. https:\/\/kbbi.web.id\/rima.<\/a> access June 12, 2022.<\/p>\n\n\n\n Definition of Ceremony. https:\/\/kbbi.web.id\/upacara.<\/a> accessed May 27, 2022.<\/p>\n\n\n\n![\"\"](\"https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/WhatsApp-Image-2022-07-14-at-23.58.10-1024x658.jpeg\")
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