{"id":411,"date":"2022-07-12T14:58:19","date_gmt":"2022-07-12T07:58:19","guid":{"rendered":"https:\/\/etnomusikologi.isi.ac.id\/?p=411"},"modified":"2022-07-12T14:58:19","modified_gmt":"2022-07-12T07:58:19","slug":"buku-musik-dayak","status":"publish","type":"post","link":"https:\/\/etnomusikologi.isi.ac.id\/en\/2022\/07\/12\/buku-musik-dayak\/","title":{"rendered":"Dayak Music Book"},"content":{"rendered":"<p>Mapping the music genre area with divisions based on musical characteristics; musical functions; and types of music both instrumental and vocal, as well as those that are sacred and profane as a real picture that the Dayak people actually have high-value works of art. Direct observation of several artifacts, natural surroundings and community life that are full of religious social meaning as an answer to the misunderstanding and confusion of people's perceptions of the Dayak tribe and its culture.<\/p>\n\n\n\n<p>Author: Haryanto<br>Editor: Michael H.B. Raditya<br>Samput Muka: Bagus Adi Chandra<\/p>\n\n\n\n<p>Publisher<br>BP ISI Yogyakarta, 2015<\/p>\n\n\n\n<p>Full pdf version visit : <a href=\"http:\/\/digilib.isi.ac.id\/3611\/1\/Buku%20versi%20Agustus%202018.pdf\">digilib.isi.ac.id<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/Keberhasilan-bukanlah-milik-orang-yang-pintar.-Keberhasilan-adalah-kepunyaan-mereka-yang-senantiasa-berusaha.-1-1024x1024.png\" alt=\"\" class=\"wp-image-412\" srcset=\"https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/Keberhasilan-bukanlah-milik-orang-yang-pintar.-Keberhasilan-adalah-kepunyaan-mereka-yang-senantiasa-berusaha.-1-1024x1024.png 1024w, https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/Keberhasilan-bukanlah-milik-orang-yang-pintar.-Keberhasilan-adalah-kepunyaan-mereka-yang-senantiasa-berusaha.-1-768x768.png 768w, https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/Keberhasilan-bukanlah-milik-orang-yang-pintar.-Keberhasilan-adalah-kepunyaan-mereka-yang-senantiasa-berusaha.-1-640x640.png 640w, https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/Keberhasilan-bukanlah-milik-orang-yang-pintar.-Keberhasilan-adalah-kepunyaan-mereka-yang-senantiasa-berusaha.-1-400x400.png 400w, https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/Keberhasilan-bukanlah-milik-orang-yang-pintar.-Keberhasilan-adalah-kepunyaan-mereka-yang-senantiasa-berusaha.-1-560x560.png 560w, https:\/\/etnomusikologi.isi.ac.id\/wp-content\/uploads\/2022\/07\/Keberhasilan-bukanlah-milik-orang-yang-pintar.-Keberhasilan-adalah-kepunyaan-mereka-yang-senantiasa-berusaha.-1-367x367.png 367w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Pemetaan wilayah genre musik dengan pembagian berdasarkan ciri-ciri musik; fungsi musik; dan jenis musik baik instrumental maupun vokal, serta yang bersifat sakral maupun profan sebagai gambaran nyata bahwa sebenarnya bahwa sebenarnya masyarakat Dayak memiliki karya seni yang bernilai tinggi. Pengamatan secara langsung terhadap beberapa artefak, alam sekitar dan kehidupan masyarakat yang sarat dengan makna sosial [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,47],"tags":[48,49,50,51,52,53,54,55,56],"class_list":["post-411","post","type-post","status-publish","format-standard","hentry","category-artikel","category-book-review","tag-borneo","tag-dayak","tag-ethnomusicology","tag-etnomusikologi","tag-fakultas-seni-pertunjukan","tag-indonesia","tag-isi-yogyakarta","tag-kalimantan","tag-world-music"],"featured_image_src":{"landsacpe":false,"list":false,"medium":false,"full":false},"_links":{"self":[{"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/comments?post=411"}],"version-history":[{"count":0,"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/411\/revisions"}],"wp:attachment":[{"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/media?parent=411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/categories?post=411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etnomusikologi.isi.ac.id\/en\/wp-json\/wp\/v2\/tags?post=411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}