OUTPUT MATRIX
ETHNOMUSICOLOGY ISI YOGYAKARTA
OUTCOME 1: APPLIED ETHNOMUSICOLOGY
Course Content | Sem | Contribution |
Introduction to Javanese Karawitan | 1 | 85% |
Introduction to Sundanese Karawitan | 1 | 85% |
Karawitan Yogyakarta I | 1 | 90% |
Sundanese Karawitan | 2 | 90% |
Surakarta Karawitan | 3 | 90% |
Introduction to Balinese Karawitan | 3 | 85% |
Working on Ethnic Music | 4 | 95% |
Transcription I | 3 | 90% |
Transcription II | 4 | 95% |
Balinese Karawitan | 4 | 90% |
Ethnicity Instrument Study | 5 | 100% |
Karawitan Yogyakarta II | 6 | 90% |
Transcription III | 6 | 95% |
Computer Music | 6 | 85% |
Media Technology | 6 | 90% |
Individual Vocal/Instrument | 6 | 95% |
Documentary | 6 | 85% |
Professional Work | 7 | 100% |
Regional Music (East Java, etc.) | 7 | 85% |
Keroncong | 7 | 85% |
Kulintang | 7 | 90% |
CPL | Description | Contribution |
SLO 1 | Theoretical Knowledge | 60% |
SLO 2 | Practical Applications | 95% |
SLO 3 | Analytical Ability | 80% |
SLO 4 | Creative Synthesis | 90% |
SLO 5 | Research & Publication | 65% |
SLO 6 | Evaluation & Critique | 70% |
OUTPUT 2: ETHNOMUSICOLOGY STUDIES
Course Content | Sem | Contribution |
Art History | 1 | 85% |
Ethnomusicology I | 1 | 100% |
Ethnomusicology II | 2 | 100% |
Culture Theory | 2 | 90% |
Anthropology of Music | 2 | 95% |
Music History | 2 | 85% |
Music Analysis Form Science I | 3 | 90% |
Sociology of Music | 3 | 95% |
Acoustic Organology | 3 | 85% |
Music Aesthetics | 3 | 90% |
Ritual Music Studies | 3 | 95% |
Philosophy of Art | 4 | 85% |
Form Science Music Analysis II | 4 | 90% |
Research Method I | 4 | 100% |
Introduction to Semiotics | 4 | 85% |
Literature Study | 4 | 90% |
Capita Selekta | 4 | 85% |
Music Analysis Form Science III | 5 | 90% |
Research Methods II | 5 | 100% |
Music Criticism | 5 | 95% |
Seminar | 5 | 90% |
Popular Music Studies | 5 | 85% |
Ethnographic Methods | 6 | 100% |
Nusantara Song Literature | 5 | 75% |
Documentary | 6 | 80% |
Final Project Proposal | 7 | 90% |
Final Project | 8 | 100% |
CPL | Description | Contribution |
SLO 1 | Theoretical Knowledge | 95% |
SLO 2 | Practical Applications | 55% |
SLO 3 | Analytical Ability | 90% |
SLO 4 | Creative Synthesis | 65% |
SLO 5 | Research & Publication | 100% |
SLO 6 | Evaluation & Critique | 95% |
SLO 1: Theoretical Knowledge (Level: Remembering & Understanding) | SLO 4: Creative Synthesis (Level: Creating) Graduates are able to design and develop traditional music preservation programs, create local wisdom-based music education models, and produce innovative music ethnography works. |
SLO 2: Practical Application (Level: Apply) | SLO 5: Research and Publication (Level: Analyze & Create) Graduates are able to conduct music ethnography research independently, produce scientific publications, and present research findings in academic and community forums. |
SLO 3: Analytical Ability (Level: Analyze) Graduates are able to analyze the musical structure, symbolic meaning, and social function of various genres of traditional music and describe the relationship between music, identity, and social change. | SLO 6: Cultural Evaluation and Criticism (Level: Evaluate) Graduates are able to evaluate the impact of globalization on traditional music, criticize cultural policies related to music preservation, and provide strategic recommendations for the development of ethnomusicology in Indonesia. |